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Maidstone guide dog trainer Hettie Hollister walks through the training programme dogs have to undertake with KOL reporter Ben Austin.
⏲ 1:2 👁 6.6M
Passengers at Garforth station can look forward to soon being able to have a safe, step-free route between platforms for the first time as installation of a new accessible bridge reaches a major milestone.
⏲ 1:0 👁 2.3M
Labour has pledged to renationalise the railways if it wins the next general election, with the shadow transport secretary saying that \
⏲ 3:17 👁 630K
Labour pledges to renationalise the railways if elected, in what the party calls the “biggest overhaul to our railways in a generation.” A Labour government will transfer rail networks to public ownership within its first term by folding existing private passenger rail contracts into a new body as they expire, Shadow Transport Secretary Louise Haigh says. Report by Czubalam. Like us on Facebook at http://www.facebook.com/itn and follow us on Twitter at http://twitter.com/itn
⏲ 1:24 👁 8.7M
Yeon Sang-ho’s “Train to Busan” is the most purely entertaining zombie film in some time, finding echoes of George Romero’s and Danny Boyle’s work, but delivering something unique for an era in which kindness to others seems more essential than ever. For decades, movies about the undead have essentially been built on a foundation of fear of our fellow man—your neighbor may look and sound like you, but he wants to eat your brain—but “Train to Busan” takes that a step further by building on the idea that, even in our darkest days, we need to look out for each other, and it is those who climb over the weak to save themselves who will suffer. Social commentary aside, it’s also just a wildly fun action movie, beautifully paced and constructed, with just the right amount of character and horror. In many ways, it’s what “World War Z” should have been—a nightmarish vision of the end of the world, and a provocation to ask ourselves what it is that really makes us human in the first place.<br/><br/>ADVERTISEMENT<br/><br/>Seok-woo (Gong Yoo) is a divorced workaholic. He lives with his mother and barely spends any time with his daughter Su-an (Kim Su-an). He’s so distant from her that he buys her a Nintendo Wii for her birthday, ignoring that she has one already, and that he’s the one who bought it for her for Children’s Day. To make up for this rather-awkward moment, he agrees to give Su-an what she really wants—a trip to her mother’s home in Busan, 280 miles away. It’s just an hour train ride from Seoul. What could possibly go wrong? Even the set-up is a thematic beauty, as this is more than just a train ride for Seok-woo and Su-an—it’s a journey into the past as a father tries to mend bridges and fix that which may be dead. It’s a perfect setting for a zombie movie.<br/><br/><br/>The 14 Scariest Mythological Monsters In Horror Movies<br/>Before they even get to their early-morning train ride, Seok-woo and Su-an see a convoy of emergency vehicles headed into Seoul. When they get to the train, Sang-ho beautifully sets up his cast of characters, giving us beats with the conductors, a pair of elderly sisters, a husband and his pregnant wife, an obnoxious businessman (a vision of Seok-woo in a couple decades), and even a baseball team. A woman who’s clearly not well gets on the train just before it departs, and just as something else disturbing but generally unseen is happening in the station above the platform. Before you know it, the woman is taking out the jugular of a conductor, who immediately becomes a similarly mindless killing machine. These are zombies of the “28 Days Later” variety—fast, focused, and violent. They replicate like a virus, turning whole cars of the train into dead-eyed flesh-eaters in a matter of seconds. They are rabid dogs. And you thought your Metra commute was bad
⏲ 1:58:8 👁 1.1M
CinemaBlend is the go-to-source for today's information and updates on new movies, tv shows, games and celebrity news and gossip.
⏲ 0:44 👁 200K
Labour MP says renationalised railways 'can't guarantee' lower train faresBBC News
⏲ 0:53 👁 1.1M
The actress shared that Foxy: My Life in Three Acts, the venture based on her autobiography, will explore her early movie career work with Roger Corman and the injuries she sustained on those sets.
⏲ 1:46 👁 3.9M
There is only one way to experience lunar gravity while still on Earth, or rather a few thousand feet above its surface: on a parabolic flight. In this exclusive mini-documentary, Space.com reporter Tereza Pultarova takes to the sky with a bunch of European scientists and one astronaut to get a taste of being on the moon, but the journey proves more challenging than she expected.<br/><br/>Credit: Space.com | footage courtesy: European Space Agency/Novespace/NASA<br/>A Future Studios Production
⏲ 13:45 👁 125K
☕If you want to support the channel: https://ko-fi.com/rollthedices<br/>❤️‍ To support the project: https://www.kickstarter.com/projects/thedreadofnight/agents-of-fate/description<br/>⭐ Website: https://fabletopproductions.com/<br/><br/>Agents of Fate is a role-playing board game that sees you and your friends taking the role of action movie archetypes competing to be the main character and complete your set of challenges before the rest of the party. In Agents of Fate, the players work together to direct AND perform a heist flick, superspy thriller, crime drama, or summer blockbuster! <br/><br/>Our mechanics don’t slow you down with crunching numbers or hold you to strict, realistic simulations: the aim is to recreate the over-the-top stunts and breakneck choreography of such films as The Raid: Redemption, Bullet Train, and the John Wick saga. We also aim to force you to think on your feet and make things up as you go, providing tools for retroactive storytelling and rewriting the scenario a la Glass Onion and Everything Everywhere All At Once. The rules are light enough to be pick-up-and-play, and loose enough for a group to sit down and throw quick counters, shaky explanations, and ad hoc trump cards back and forth for a fun one-shot. <br/><br/>The storytelling method employed in Agents of Fate cares just as much about the “negative space” in the narrative as the things the players have already portrayed “on-screen”. If there’s ever a moment where the details haven’t been explicitly nailed down, players can cash in one of a pre-determined about of Flashbacks to go back and change things around to their own benefit: anything from smuggling in a piece of crucial gear, to stealing a MacGuffin from another player while they were distracted, to inventing a relationship with another character from whole cloth. If you don’t have an ace up your sleeve, or if you think a certain twist would recontextualize the story’s events in a compelling way, just make it up on the spot!
⏲ 5:54 👁 140K
Passengers at Garforth station can look forward to soon being able to have a safe, step-free route between platforms for the first time as installation of a new accessible bridge reaches a major milestone.
⏲ 1:0 👁 825K
Spenser Confidential is a 2020 American action comedy film[1] directed by Peter Berg, with a screenplay written by Sean O'Keefe and Brian Helgeland, and based on characters created by Robert B. Parker. The film stars Mark Wahlberg, Winston Duke, Alan Arkin, Iliza Shlesinger, Bokeem Woodbine, Donald Cerrone, Marc Maron, and Austin Post in his first film appearance, and marks the fifth collaboration between Wahlberg and Berg after Lone Survivor, Deepwater Horizon, Patriots Day, and Mile 22.
⏲ 1:51:11 👁 1.1M
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