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Search Results - Showing 120 - 132 Of 137
GREY by Jade & The Stagger Swallows [GH2 x LOMO anamorphic]
⏲ 2 min 28 sec ✓ 10-Jul-2011
Magic Lantern QScale Test - t2i 550d.
⏲ 65 sec ✓ 21-Dec-2010
ANAMORPHIC PEOPLE thru SLR Magic 1.33x-40
⏲ 3 min 50 sec ✓ 07-Mar-2017
If Mr. Robot was in Cinemascope
⏲ 4 min 70 sec ✓ 15-Nov-2017
Precisamos Falar do Assédio - Trailer
⏲ 1 min 33 sec ✓ 09-Aug-2016
The Pursuit | 1 Minute short film |
⏲ 60 sec ✓ 27-Mar-2013
Lost in Amsterdam
⏲ 4 min 27 sec ✓ 28-Sep-2010
excerpt from THE MUTABILITY OF ALL THINGS AND THE POSSIBILITY OF CHANGING SOME
⏲ 1 min 91 sec ✓ 20-Oct-2011
Budamorphic
⏲ 2 min 59 sec ✓ 28-Sep-2015
BIGSHOT (The Short) Maurice Huvelin
⏲ 2 min 86 sec ✓ 28-Mar-2014
KEYS - Making Of
⏲ 1 min 53 sec ✓ 19-Aug-2016
The wedding of Erica & Owen
⏲ 4 min 88 sec ✓ 19-Oct-2012
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_grey-by-jade-amp-the-stagger-swallows-gh2-x-lomo-anamorphic.webp "'Grey' by Jade & The Stagger Swallows: - reverbnation.com/jadeandthestaggerswallows nMusic video directed by Edwin Lee - www.whoisedwinlee.comnAssisted by George WaldrennnShot on Panasonic GH2 (Non-hacked. Guess I have to start saying that for my previous videos!) with 35mm Lomo square front and 50mm round front anamorphic lenses, and Lomo 35mm f1.2 prime lens (for close-up of the guitar near the beginning).nnOther tools: Glidetrack, CineGrain, LEE filters, Tekkeon battery solution and Zacut")
_magic-lantern-qscale-test-t2i-550d.webp "Using 16gb Patriot Class 10 SD Card. This is a test of the different QScale settings available with the Magic Lantern Firmware update. According to DVXUser Member Dave P., here are the data rates:n-9: 29.6 Mb/sn-10: 35.3 Mb/sn-11: 42.0 Mb/sn-12: 48.0 Mb/sn-13: 56.3 Mb/sn-14: 64.2 Mb/s n-15: 67.5 Mb/s (I had no problem sustaining a 2 minute take with this)n-16: 86.7 Mb/s (flashes buffer icon and stops recording after 2 seconds)nnShot using the")
_anamorphic-people-thru-slr-magic-1-33x-40.webp "Here is some street videography taken in cinemascope with SLR Magic anamorphot 1.33x-40. As you can see rack focus works good and is easy to do. The combo with the prime lens is quite compact and lightweight.nnby Seb FargesnGH4 slow motion mode 1080pnSLR Magic anamorphot 1.33x-40non Pentax 40mm f2.8 at f4nHoya ND filtersnmusic : Superpitcher")
_if-mr-robot-was-in-cinemascope.webp "In this video, I explored the effect it would have on the show 'Mr. Robot', if I were to change the aspect ratio from 16:9 to 2.35:1 (CinemaScope). I believe the outcome to be clearly more cinematic. This isn't to say I think that the show should be in 2.35:1, considering they use 16:9 so perfectly, this was simply, as mentioned in the beginning of the video, an experiment. nnAny more films or TV Shows you'd like to see a video on?nLet me know, below! nnIf you like this, please subscribe, I'll b")
_precisamos-falar-do-assdio-trailer.webp "Documentário, longa-metragem, 80', Cinemascope, 2016nnNa semana da mulher, uma van-estúdio parou em nove locais em São Paulo e no Rio de Janeiro. O objetivo era coletar depoimentos de mulheres vítimas de qualquer tipo de assédio. Ao todo, 140 decidiram falar. São relatos de mulheres de 14 a 85 anos, de zonas nobres ou periferias das duas cidades, com diferenças e semelhanças na violência que acontece todos os dias e pode se dar dentro de casa, em um beco escuro ou no meio da rua, à luz")
_the-pursuit-124-1-minute-short-film-124.webp "Film school projectn1minute shortnnDirector: nDenny SaladinonnnActor: nnPanos RoussisnnnCar driver:nnMemphis MariquennnCamera:nnCanon EOS 7Dn50mm 1.4 USMn18-135mm 3.5-6.4")
_lost-in-amsterdam.webp "Full VersionnnImpressions shot around the Vimeo Awards in Amsterdam.nnNew friendships were formed, we had a wonderful time.nThanks to everyone involved!")
_excerpt-from-the-mutability-of-all-things-and-the-possibility-of-changing-some.webp "a film by anna marzianoncamera, sound, editing: anna marziano nwith the collaboration of joao vieira torres, maya da-rin, armin dierolfnprod. le fresnoy n16 min. france 2011nn")
_budamorphic.webp "My trip to Budapest this year in cinemascope! I’m surely realising that once you start shooting anamorphic itslike a disease that never leaves you! For holidays and city breaks i usually take the pocket camera so a 2x squeeze anamorphic solution isn’t ideal for it (too narrow an image and too heavy to be lugging about my Kowa 8Z / Rectilux in 30 degree heat). A 1.5x anamorphic adapter would provide a 2.66:1 aspect ratio, proper cinemascope, and use all the information from the bmpcc’s we")
_bigshot-the-short-maurice-huvelin.webp "PRIX DE LA CRITIQUE au Festival Off-Courts de Trouville 2012nRécompensé 11 fois et sélectionné dans le monde entier à près de 100 festivals de courts-métrages : nhttp://huvelin.wordpress.com/bigshot/nnBIGSHOT (le court) est à l'origine de BIGSHOT la Série TV (saison 1) produite par Girelle Production (Christophe Camoirano) et France Télévisions Nouvelles Écritures (Boris Razon), et qui obtient le Prix du Jury au Festival International de Télévision sur Internet, WEB PROGRAM FESTIVA")
_keys-making-of.webp "Keys - A visual Experiment is a experimental short film by Silverwing aka Raphael Rau with the amazing help of composer and sound designer Simon Damborg. The aim of Keys is it to create a mix between the the known everyday environment and something strange and mysterious.nnHuge shout out to Simon Damborg: humanrobotsoul.comnnBehance Link: https://www.behance.net/gallery/41769319/K-E-Y-SnnArt Station: https://www.artstation.com/artwork/1R848nnTech specs:nModeled, UV-unwrapped, simulated etc in Ci")
_the-wedding-of-erica-amp-owen.webp "From the first time we met Erica & Owen, we knew that this film was always going to be something spectacular. Everything about the two of them and the wedding day itself was so organic, so purely genuine and we think it really comes through in this short film. We are honored to have had the opportunity to document and participate in this event. We spent three days on the island, living in the couples home with their dog Piper. This gave us the time to really get to know how close this group")
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